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This version from Eva runs so deep it's not possible to express. Best to just listen, feel, and marvel 👍👍

Wow ❤ a. Discover thank you

Great insides . I will practice them .Nice weekend.

Try the Selmer metal ligature (402 I believe) on the Otto Link. It you may like it better. It's a definite upgrade over the stock Link lig.

What a great video Bob, greetings from Germany!

Same concept to clean sticky pads, in myself I do ang money bill then put some a little baby power for the pads

Bob, great video! Love your perspective and some of the challenges that happen along the way. It is encouraging and thought some of those struggles on the horn were unique to me. Were you playing a transcription at marker 5'30" or just improvising? Sounded good. Thanks! Tim

Gotta admit, I dont give a flamingo about transposing, yet still tuned into this vid because your passion, dedication and discipline slap me across the face and inspire me to work harder to get to where I wanna be as a musician. For that I can’t thank you enough mate.

El único mark vi que no suena como un mark vi. Demuestra que hay mucho por descubrir en ese saxo.

At 6:30 you mention that Doxy is a 16 bar blues. Could you break that down for me cause I'm lost.

Transposing was something I really worked on a lot during my undergrad, a buddy of mine who was a graduate student at the time who had gone to Berklee got me working on it. As an alto player primarily , I’ve developed a pretty strong ability to transpose from C to Eb instruments, but I had a gig recently where I was asked to play tenor, and I was given concert pitch sheet music, and even though it’s probably considered by most to be an “easier” transposition, since I wasn’t as used to it, I had to think pretty hard on the gig haha!

Your kids are growing up so fast! Thanks for “vlogging” them. LOL Hats off to you for sight transposing. It is a challenging skill. Although looking up a whole step or down a minor third is not too,too bad, but STILL. I wouldn’t mind a few local gig outside my classical stuff, but I’m not going total pro, so ONE LESS THING! 😂 I love watching your practice/learning process. Thank you for sharing how you think and work. Sooooooo helpful! Keep on being a great husband and father. So glad you plan time to spend with the family. That is the most important thing in life. ❤

Anybody know what app he's using for the transcription? Shown at 5:10

Still coming back to this in 2024 🙌

Bob you are my absolute idol but filming a video in one hand while in the fast lane... 🙄come on man

Feel like Bob's rhythmic approach is the perfect fit for Louie Cole

Over here, musicians don't learn in cars. They can't afford to own one anymore...

Otto link New York 🎷👍!!!))) Beautiful!))) Very good sound, Bob!!)

Big congratulations Bob!

Really great to listen/hear you speak about these pesky things that irritate us musicians. Especially when you say "It's never done"! So very true. I suppose nothing worth pursuing is worth doing badly! Thanks for your honesty, & caring enough to talk like a real person as much as a professional who struggles with the same stuff we lesser players struggle with! Best wishes. Pb

Stetson! 🙌🏽

Your talent never ceases to amaze me!

Oh man. It happens all the time to trombone players. "Sorry, I thought you played the same part as the tenor sax." "Oh. We just have an alto part." "The singer wants to play this a minor 3rd up." As for concert-key stuff, gotta read both bass and treble clefs. Growing up, the fake books were often only in concert-key treble clef, so it was easiest just to learn to read it straight up. So... young Skywalker: get fake books in different parts, and practice all of them. But if you have to take them to the gig, only take one type: no sense in making your life hard intentionally. I'm not even a pro, but an adult amateur who played in college and still plays around town. So I'd call it a "real-life" skill, rather than a "pro-level" skill. Full-time pro trombonists are about as rare as pro ventriloquists.

Getting a chart thats in Bb for tenor, then switches to C for the flute double midway through, then switches to Bb but this time clarinet, and meanwhile nobody told you to bring any of those instruments so you're playing an Eb horn and you gotta sight read it

Woooo Curtis Taylor!

When I was in college learning jazz music my listening lab was the tape player in my buddies ‘89 Bonneville. We spent hours pouring over various recordings and discussing them. It was a special time.

Then transposing from Eb the transposing Bb charts to Eb and Eb charts to Bb then do it on a clarinet the work with singers who change keys all the time. Ugh 😩

You uss a digital or analog metronome?

Stream the single from the forthcoming "Bob Reynolds Group - Live in Munich" album: ianrecords.lnk.to/Hush

Will the album be available on streaming? Tidal?

I got a real kick out of this one as you are wrapping up. I too end up sight transposing everything, C concert or Bb parts. So frustrating when I forget what’s what😂

I know it's a little different but I write some of my of my parts for church. They change keys all the time. So I get this.😊

Sight transposition = call back gig. Sounding great on that link🔥

Too bad you seemed to miss the Chris Potter concert in LA! It was great as you would imagine.

The link definitely gives a different texture to your tone.

Man Bob, that thing about C and Bb parts on the same gig and transposing up Bb parts accidentally. 100 percent. Just give them all to me in either C or Bb!

Bob love your videos man thank you for sharing

Sight Transposition: been there, done that, got the T-shirt-in alto, tenor, and soprano. Doesn't everybody?

She is the luckiest guitarist on earth. 😎

Terrific capture of a hot jam!

I always hear about playing stuff in all keys but for me, the ability that is making me improve a lot is trying to transcribe "as fast as i can". It makes me more and more concious about keys, grades... good video

What are you playing at 3:11??